1 00:00:00,780 --> 00:00:02,250 So these are all items. 2 00:00:04,630 --> 00:00:15,730 You need to practice all these items in a normal speed practice study constantly and for more number 3 00:00:15,730 --> 00:00:23,680 of times, if you can practice, it gives you much familiarity, much acquaintance with ragas, Darla's 4 00:00:24,220 --> 00:00:26,290 and with the speed to in future. 5 00:00:26,950 --> 00:00:33,910 OK, now let me show you how to play the junta's foot for half notes. 6 00:00:34,270 --> 00:00:38,650 For every half note has got us in all these guitars. 7 00:00:39,550 --> 00:00:40,930 You would have observed it. 8 00:00:42,880 --> 00:00:49,750 So how to play it in half notes is a subset of what I'm saying. 9 00:00:52,430 --> 00:01:02,150 The first half note will be read, which we have used in Mulayam out of them, Muladi Salviati and all 10 00:01:02,420 --> 00:01:04,020 and all these raggers. 11 00:01:04,880 --> 00:01:09,560 OK, so Reid has to be called maritally like this. 12 00:01:10,580 --> 00:01:19,610 If you have to play referee, you need to catch read directly first the Hofstee end up. 13 00:01:20,030 --> 00:01:22,190 Remember the principle of. 14 00:01:23,330 --> 00:01:27,700 Playing's understands how we have played that and them. 15 00:01:30,230 --> 00:01:37,150 I have already discussed about it in my previous lecture of basics there. 16 00:01:37,730 --> 00:01:39,740 We have taken the preceding note of that. 17 00:01:40,760 --> 00:01:40,990 Right. 18 00:01:41,600 --> 00:01:48,290 It was never Salvati Reforger like that, OK? 19 00:01:48,800 --> 00:01:54,200 So we are taking we need to take preceding note of the actual dollars. 20 00:01:55,160 --> 00:01:56,120 That's the principle. 21 00:01:56,570 --> 00:01:59,600 That's where to play them. 22 00:02:00,500 --> 00:02:00,830 Right. 23 00:02:01,310 --> 00:02:09,160 So we need to use the preceding note of Rehov three also, which is said to be SORP. 24 00:02:09,920 --> 00:02:18,020 So if you get really in any composition, any of these Ghitis, you need to use you to catch a read 25 00:02:18,020 --> 00:02:22,940 directly and hit SA and come back to re again. 26 00:02:23,450 --> 00:02:25,730 Read like this Riedy. 27 00:02:26,930 --> 00:02:29,450 OK, and the same we forgot. 28 00:02:29,460 --> 00:02:38,000 Also if you get agenda item for Gahagan, which we have used in on'em the Pattabhi, we need to play 29 00:02:38,210 --> 00:02:38,630 golf. 30 00:02:38,930 --> 00:02:44,640 Rega, the preceding note comes in between Gogu up like this. 31 00:02:45,170 --> 00:02:49,310 OK, so let us take the samal. 32 00:02:50,780 --> 00:02:53,030 We used it in Kalyani. 33 00:02:53,420 --> 00:02:55,870 We got this one in half mile. 34 00:02:56,720 --> 00:03:05,650 When you get ma ma in any other lagom, in any lagom you need to hit the preceding note to play Thandiswa 35 00:03:05,660 --> 00:03:08,120 Ma Ma again. 36 00:03:08,930 --> 00:03:10,130 It is the full ma. 37 00:03:10,460 --> 00:03:12,230 The preceding note will be the full ma. 38 00:03:12,740 --> 00:03:14,690 You need not play ma ma like this. 39 00:03:16,850 --> 00:03:21,100 You might be thinking that the preceding note for ma should be gone. 40 00:03:21,380 --> 00:03:25,970 How can we play full ma in Kalyani which is a wrong note. 41 00:03:28,070 --> 00:03:38,550 That's true to some extent, but we are not announcing we are not letting full to sound over there. 42 00:03:39,470 --> 00:03:45,500 We are just giving a split kind of thing, split for two half notes of. 43 00:03:46,580 --> 00:03:46,870 Right. 44 00:03:47,720 --> 00:03:57,330 So in that case, if you play in that way, this won't be sounding in a wrong way at all tone. 45 00:03:57,680 --> 00:04:06,440 I mean, to say so it has to be ma ma only it's not be like Ma Gummo while playing does what I'm for 46 00:04:06,650 --> 00:04:07,150 Hoffman. 47 00:04:07,800 --> 00:04:14,360 OK, well this is clear and also are going to have that. 48 00:04:15,680 --> 00:04:23,450 This is half right, which will play in Savary Muladi and another Lagus. 49 00:04:23,930 --> 00:04:28,310 OK, while playing Dardar also unit to Achbar. 50 00:04:29,030 --> 00:04:32,440 The preceding note of that the but like this. 51 00:04:33,230 --> 00:04:39,750 So I have seen people playing by the border or Sadie. 52 00:04:39,770 --> 00:04:45,610 Sadie already got to you got to play the drums for Hoffman's. 53 00:04:46,070 --> 00:04:55,000 Actually this is a wrong pattern to play agendas for them while playing half notes, ok. 54 00:04:56,700 --> 00:05:04,020 It is the wrong pattern to play just for us for having done this with them for half an hour, it has 55 00:05:04,020 --> 00:05:11,280 to be played only by catching that particular half note first, then hitting the preceding note and 56 00:05:11,280 --> 00:05:14,960 coming back to that half note again. 57 00:05:15,990 --> 00:05:20,880 So that's what we have practiced in to among the basics. 58 00:05:20,880 --> 00:05:21,210 Right. 59 00:05:21,780 --> 00:05:23,930 So the principle remains the same. 60 00:05:24,390 --> 00:05:28,010 We need to take the same pattern of play. 61 00:05:28,680 --> 00:05:36,780 Father, also, even when you get into intermediate and advanced level, of course, there's also you 62 00:05:36,780 --> 00:05:40,530 need to be playing this way only it is not part of either. 63 00:05:40,620 --> 00:05:46,670 It is da ba da ba comes only once in between two modes of that. 64 00:05:47,760 --> 00:05:49,560 This is the way to play to say. 65 00:05:49,740 --> 00:05:54,840 But when you play ba da ba da we should not call it as a done. 66 00:05:55,950 --> 00:06:02,370 OK, you are giving just a supportive part to that, but it is more than just for. 67 00:06:02,490 --> 00:06:11,940 Is that where you play the preceding note after actually children does what them then it is called it 68 00:06:12,170 --> 00:06:12,660 Jantar. 69 00:06:13,890 --> 00:06:19,890 OK, so da da should be like this but not like that. 70 00:06:20,280 --> 00:06:23,010 This is wrong so don't practice the art of it. 71 00:06:23,790 --> 00:06:26,070 And again getting into neat. 72 00:06:26,550 --> 00:06:29,280 This is Hoffner while playing halfling. 73 00:06:29,280 --> 00:06:39,180 Also you can play Ninni like this, my catching knee directly and indirectly and by hitting full knee 74 00:06:39,180 --> 00:06:41,070 and coming back to Ifni again. 75 00:06:41,910 --> 00:06:43,920 This is the that's what I'm for. 76 00:06:44,010 --> 00:06:45,960 Half knee but not for Pollini. 77 00:06:46,770 --> 00:06:48,870 So understand the difference carefully. 78 00:06:48,990 --> 00:06:51,240 Knee neat knee neat. 79 00:06:51,390 --> 00:06:52,200 Has to be like this. 80 00:06:52,530 --> 00:06:53,670 Are you. 81 00:06:53,670 --> 00:06:56,290 Have one more facility to play them for. 82 00:06:56,430 --> 00:07:03,930 Half knee is that you can catch hold of me like this half knee and you can hit the right tone index 83 00:07:03,930 --> 00:07:05,010 finger also. 84 00:07:06,510 --> 00:07:16,560 OK, without disturbing this one but keeping my catching hold of half knee you can this index finger 85 00:07:18,000 --> 00:07:20,460 right hand you need to practice every day. 86 00:07:21,930 --> 00:07:29,940 OK, my recommendation is what unless you are sick you should not leave your practice. 87 00:07:30,570 --> 00:07:35,170 If you are not well really not well then that's ok. 88 00:07:36,030 --> 00:07:38,970 You need to take some rest at that point of time. 89 00:07:39,840 --> 00:07:44,640 Unless you are sick you you should not miss your practice. 90 00:07:44,940 --> 00:07:48,300 So you need to be practicing every day as we take food. 91 00:07:48,870 --> 00:07:50,250 We need to practice every day. 92 00:07:51,360 --> 00:07:52,200 So that's hope. 93 00:07:52,440 --> 00:07:59,550 We enhance our knowledge and skill in playing the instrument all the best and we share great success.