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Welcome back, everyone, to 3D modeling Hobbit doll scene with Blendr two point nine and Adobe Photoshop.

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So now this is where we left off.

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What we need to do now is come over to left on side.

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I've actually put my pen and tablet away.

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Now, I'm not going to need that anymore.

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So I've just got my keyboard and mouse so left on side I hover over it.

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You'll see where I've got one quick selection.

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If you've not got that on just right click come down to it says Quick Selection Tool.

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You'll end up with a little place in the circle here and then just left click drug it down all the way

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and what you should do when you release it is it should grab everything like this.

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And I find this the easiest way to actually grab everything all in one go.

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I know you're going to do you're going to hover over this line, right.

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Click and come down to where it says Make quick path stops.

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Just click on the row one that you click right click make quick path.

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Click OK, and you'll end up with low dots all the way around, this is the start of the subject.

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Then what you need to do is you need to leave and you're going to come down to it says New Philia,

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and you're going to click on Solid Color.

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You're going to go across and click, OK, and now basically, once you've picked your color, which

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is going to be solid black, so just make sure this is down to solid black click, OK?

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And now this is ready to be exposed.

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Now all you need to do is just come down and just take off the actual old actual layer.

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So click this off and the new one should on this little square that come over to file and we're going

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to export and then export us.

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Let me slow down.

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This is the actual preview, if you've not got that on, just click on over here, come over to the

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right hand side where you'll have one that says former.

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This will be on P and G or something like that.

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And just make sure that it's actually on SPG.

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Now, when you click export, it will actually bring up a screen where you need to save it out.

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So let's come down and click the button.

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Let me think about it and then let's find with the actual files where I've saved out, so here is Mignot,

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says SBJ.

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I'm just going to double click it and I'm going to save this out of stained glass.

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Hummingbird

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window, like, so presentable, and it will say that as an object.

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All right, so just let think about and actually save the owl.

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And now that's done will actually go on over to blender, so here we are with an actual blender.

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What I want to do is I just want to clear this actual scene just a little bit.

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So at the moment, I've got a Cuban here and it's just a click on any of these.

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All you need to do is just left leg and then you to click on these.

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Then you press delete on your keyboard and I'll just delete all the way.

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Let's delete the camera as well.

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And also this point, like we're not going to need to point line anyway, personally.

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And there we go.

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Now, a couple of other things to actually zoom into something.

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What you need to do is you just need to move the scroll wheel forwards and backwards and that will zoom

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in to orbit around something.

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You just going to hold the middle mouse button and then you're about to orbit around and to move left

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and right.

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So, Punin, hold the shift and the middle mouse then you built upon in whichever direction you choose.

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Now there are a couple more things.

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I'm actually just going to bring in cylinder because I'm actually going to need a cylinder for this.

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So I'm going to basically press it a mesh come up to where it's a cylinder and bring that in line.

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So now the cylinders here can show you what else you can do.

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So if I press the dots on the actual number pad, you'll see that I can actually zoom in.

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And once I've zoomed in on actually orbit around this, it will actually orbit around the center origin

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of whatever you've actually brought in and zoomed up to.

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Now, the other thing is you can use a number pad to actually go to front of view using one on the number

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three on the number pad.

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A side view, seven on the number pad is top view.

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And then when you press control seven, for instance, that will give you the reverse.

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So control one is the rear control, three is the other side.

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Control seven, as I say, is the bottom and all these things.

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I'll take a bit of time to actually get in your head, but once you've got them, you'll find it very

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easy now to actually move around.

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So now I'm just going to actually delete this under all the way to give me a fresh actual viewport.

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And this is the actual viewport.

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And then what we're going to do is going to do edit.

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I'm going to come down to where it says preferences and we're going to bring in an actual Add-On.

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Now, these Add-Ons are actually built in within Blendr, so they should be there for you.

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Come over to a little search and make sure that you're on Adam's on here.

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And then let's bring SPG and you'll see one that says Import-Export Scalable Vector Graphics.

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And this is the one you just need to keep on click refresh to close it down.

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Now, in a press file, come on down to where it says imports, you'll see that this is an option to

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bring in scalable vector graphics.

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Click now on and now you need to do is just go to where you've actually set out Hummingbird or whatever

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Steinglass you actually created.

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So here is where my file is in SPG and here is my stained glass window.

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So double click it and then you'll notice that something comes in.

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Now this is brought in as an SPG, which means now we can turn this into actual mesh.

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So how are we going to do that?

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First of all, we're going to left.

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Click on it and you'll notice over the rights on side here, we've actually got one that is basically

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a code.

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So you can see within here, we've got lots of lots of options where we can do things, especially for

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help, open the geometry.

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We can actually bring out the extrude and things like that.

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Now, I'm not going to use any of these.

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So if you've used cars before, you'll be well aware of what these do.

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All I'm going to do is I'm going to come up and click on 3D.

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And while that's going to do now, it's actually going to give me mesh that is not actually filled in

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because I want to build this mesh in myself.

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And the reason I want to do that is because if I let Blendr fill this in is going to be very, very

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dense on the actual polygon count.

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Now, at the moment, down the round side, you will see that I have actually got a polygon count and

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I've got all this information here to bring that on.

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All you do is you got to edit preferences.

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And then you're going to go to interface, come down to it, say status bar, and you'll see that all

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these are probably ticked off on.

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Just click them all along.

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And as you click them on, you'll see different information that will tell you how many events are in

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the scene.

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I'll tell you the memory that's being used and all that good stuff like that.

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Now, just press the button just to close that down.

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And what we need to do now, if I press the button, you'll see that we've got all these little points.

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These little points is basically where all the joynes all around.

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Actually, this actual mesh, when we turn it into a mesh at the moment, it's not a mesh, it's just

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actually occur.

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So let's now turn it into a mesh.

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So if we're going to object, come down to where it says convert and you're going to convert mesh from.

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So click that on and you'll notice that that curve actual top has disappeared.

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And now in a press tab, you'll see that this is the mesh we can actually use.

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Now, if I press a that will actually select everything and I want to press delete, come down, I'm

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going to use limb to dissolve.

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And while that's going to do is it's going to clear out all of these points that we don't really need

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if our price controls that you'll see that we've got thousands of these points.

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Now, each one of these points will join over to the other side in some way to actually create this

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mesh.

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And that is what I'm saying.

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If I don't do this, you'll end up with a really, really dense, heavy mesh and what we're doing,

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we really don't need that.

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So, again, press delete, limit to dissolve.

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And now we're going to do before we do anything else is actually more cost.

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Seems I want to actually pull a short video that describes why we're actually marking same stuff.

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You watch that and then come back and you'll understand exactly what we're doing.

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OK, once I'll see in a few minutes.

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One, this is the quick demo just to show you why seams are important and basically why we use them

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the way we do.

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So he can see a tube.

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And if I press the top on this tube and highlights it, you can see at the moment that each one of these

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sides actually is represented on the UV map.

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And you can see how it's flattened out from a 3D to an actual Tudi.

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And this is actually how we apply textures and materials on that.

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So what we need to do now to actually manipulate this is Moxham same.

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So if I Mogg seems like this, for instance, going round.

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Like this, right, click moxie, and now actually I grab it and unwrap it so you Honora you'll see

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now that it's on, not in the way that we actually want it.

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So basically unwrapped it like Postle.

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Now, moving on to the cylinder.

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This is a little bit different.

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So if I grab the top on the bottom of it and I press control Lee come down to mop scenes and now I try

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and actually own this, you'll see this part here is a real mess.

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These parts are actually on racks.

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Absolutely fine.

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So I have to grab the whole thing and I come up and try and on right now and I press you on.

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Right.

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You'll see that these parts see it.

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If you look at the texture, it's a real, real mess.

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And the reason for that is because we've not told Blendr we're actually seeing needs to.

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So they said Blendr is just trying to loop this in an infinite loop.

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So when I talk about the loops, that's exactly what this is.

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So if we a now on the side, just one seam, the right click seam and now we actually grab it and try

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and run.

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You'll see now a contrast.

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Really, really nice.

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And it actually looks correct.

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Now, talking about seams, the one thing you do need to remember is that you should always mock seams

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where the least likely to be seen.

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So, for instance, this was a cylinder out market, the back where it's the least likely for a player

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or camera or Arenda to actually see the seam, because you can actually see if you look very carefully,

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you can actually see where the seam actually joins.

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Now in things like wood, it doesn't matter too much because it's very hard to see.

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But when you actually mulgan in a seam where there's wood or tiles or things like that, it's going

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to be very easy to see.

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So there is a quick explanation of why we do seems the way we do.

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And I hope you learned a lot from that.

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Welcome back, everyone.

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I hope you enjoyed that so that we're going to do is going to Mongkol seems.

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But before I show you that, I need to tell you about is the top.

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So the top button, when you press it basically takes you in to edit mode.

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So you'll notice the moment we are in object mode.

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And if I press top, you'll see now we're in attack mode.

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Now, in any mode I can actually grab these virtues, for instance, or I can grab them all and things

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like that.

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Now, in object, most of a press top, the only thing I can grab is the actual whole object, and that's

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the only thing I can move it around.

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So any mode is actually to edit the actual mesh.

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So now let's say I press top.

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Just make sure you've grabbed everything with the Oborne Press delete to actually bring down the actual

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number of verses.

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And then what we're going to do is we're going to actually Mongkol seems now first of all, you'll notice

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that over on the left, on side we have these three little tabs here.

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This one is versus.

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So these are these little known things.

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The next one is EDG.

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So if I can grab now all of the edges of this cell in there.

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And finally, the next one is faces.

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We haven't got any faces yet.

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And that is something that we actually need.

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So that's Perowne edges for now.

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And then what we'll do is we'll grab everything with a and then I'm going to right click come down and

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you'll have one that says Maxime's.

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And now I need to do is actually need to fill this in.

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So all I'm going to do is I want to press alter and you'll notice now that this fills all of these in.

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Now, you might not like so many triangles on here.

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You might want more polygons.

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So all you need to do to actually fix that is come over to face, select, hover over it right click,

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come down and say tries to Quad's.

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And that's what Blende is going to do.

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That is going to try and convert all of these triangles into actual quotes.

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So let's click on now and you'll see a lot of them now display and it just looks a little bit cleaner

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and that is what we're actually looking for.

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Now, the next thing I need to do is obviously I need to bring this out, because at the moment it's

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just a basically a flat mesh.

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So the way to do that while we've grabbed everything and while we're in that mode is we're just going

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to press e I'm just going to drag it up and not actually extrude them out and have a press type.

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You can see that we've got this and it's looking really, really nice and actually clean.

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The only one thing you can see is you've got all these bombs.

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Now let's get rid of this material because this material is not what we want.

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So Olders will come over to the right hand side.

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And this is the materials panel.

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And you can say at the moment the material is SPG material and I don't want that.

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So I'm just going to remind myself I'm not actually going to put the material on here at the moment.

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I'm only doing this.

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So basically I can see what I'm doing and now I'm do is it went smoothly.

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Sol So we haven't got all these little bumps that I want to.

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Right.

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Click in object mode and come to shapes move and you will end up with something like that.

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And then what you can do is you can come over to this little triangle here, come round to where it

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says normal's and then click also smooth on.

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And what it's going to do is going to smooth all those edges around here.

222
00:13:21,800 --> 00:13:24,530
This is based obviously on a percentage.

223
00:13:24,680 --> 00:13:30,950
And if it crosses that percentage, then it will smooth that edge of normally this is the standard say

224
00:13:31,250 --> 00:13:32,240
thirty degrees.

225
00:13:32,270 --> 00:13:35,100
And that's normally enough to smooth everything off that you actually need.

226
00:13:35,450 --> 00:13:37,570
OK, so on the next one will actually work for.

227
00:13:37,920 --> 00:13:44,340
On this actual stained glass window and we'll actually start making the glass, OK, everyone, so enjoy

228
00:13:44,370 --> 00:13:45,870
that and I'll see you on the next one.

229
00:13:45,900 --> 00:13:46,480
Thanks a lot.

230
00:13:46,500 --> 00:13:46,950
Bye bye.