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Welcome back, everyone, to 3D modeling The Hobbit doll scene with Blend two point nine and Adobe Photoshop,

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and this is where I left it off.

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So the next part is I like the next part's really exciting, actually, adding materials onto your actual

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model.

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So let's do that.

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Now, the first material that I want to bring in is just a simple one, just to actually create the

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mouse that goes around this part of the actual bit.

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So let's work on that bit.

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So the first thing we'll do is actually click on our actual bed, which is this part where you can add

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the glass or what's going to be the glass out the way if you want to.

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And there is another way, actually, to isolate this out.

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You can press the little question mark on your keyboard, and that's then just going to isolate out.

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The only problem you will have with isolating things out is it's not a good idea to isolate something

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out when you're actually working with materials.

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And the reason for that is because it isolates everything out, including the sun.

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Now, you can get round this of a press, Questionmark and Akumal and actually shift select my son as

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well.

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And then I press the question mark.

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And now you'll notice that I've still got a light source here.

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So I'm just going to click on my bed like the little button on the notepad just to zoom in.

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And now you can say that I've got my light source on and now I can bring my actual material.

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And so now I click on in object mode, come over to the right hand side where this little football is.

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This is a materials tab, as we discussed before.

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And now I need to do is create Allfirst material and one which is want to come over to the little plus

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one here.

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I want to click new and then call this stained glass metal.

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Now, for those of you that have already know, what you doing with materials and things like that,

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it's up to you whether you bring in a material foldes or whether you actually create a procedural material.

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I'm going to create a procedural material for this so you can actually see how to actually do that.

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So the first thing, though, I'm going to do is I need to actually be able to unwrap this.

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So what we need to do is you need to press top to go actually in to edit mode.

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And then what I need to do is I need to make sure that connection run this at the moment.

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If I and this, I'm going to grab it all.

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I want to come up to you the editing.

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I want to just go to my bed now to make sure everything is grop like it is.

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And I press you on.

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Right.

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You'll see that it's a bit of a mess.

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And the reason for that is because we've got a lot of infinite loops on here.

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In other words, there are loops that are going round in here and they're actually got no end.

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You can say that it just goes all the way around with no actual.

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And so we need to actually pull those out.

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So let's do that now.

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So I want to press top hide my glass out the way.

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So I've just got my bed to win and then I'm going to systematically go round and add in some actual

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seems.

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So if I press top now, come up to my edge, select and let's do the outside call first.

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So we'll come to the outside on a seam down the bottom.

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As you can see, this is going all the way around and it's going to keep trying to loop round and that

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is where you get the problems.

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So I'll quickly show you just on this part.

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So I'm going to grab the bottom and to grab anything up to where the actual seams and you just press

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out and then it won't go past the actual seams.

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In other words, it'll just grab the island.

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And that's exactly what I want.

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And you can see now at the moment, this is what it looks like.

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And it's doing this because it doesn't know where to put seam.

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And it's basically an infinite loop and it just tries to flatten out if we come now and we actually

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pull a seam here.

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So I'm going to grab this edge here right now, Maxine.

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Come on now.

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Grab it without you on.

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And now you'll say it's nice and clean.

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Now you can hide the other way.

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And now let's do the other parts of this.

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So I'm going to hide them all the way as I do them and just makes it much, much easier to find twice

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you wait.

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So now let's grab the next one.

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L want to press you on.

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Right.

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And there we go.

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Now, this is actually fine on wrapping like this because we've got no bends or anything like that.

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And it's basically just open from this from view here.

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So that's fine.

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So let's hide the other way and now we'll do the actual bottom and that will be exactly the same.

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Now, we don't really need the bomb, but I'm just going to leave it on just in case you're coming from

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the back of the door or something like that.

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So let's grab this one now without press you on wrap and that's press.

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Hey, hide it out the way.

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And now you go and left with these so you can see here where all the problems are going to be.

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So let's do this a little bit of time.

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So I'm going to start with this part.

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This one here can see runs all the way around here.

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So let's put another seam in here.

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Right.

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Click, Monkseaton.

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By select.

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Grab this, Paul Al.

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You will drop out of the way and now we need to do these two pulses, so same thing again, it's a bit

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tedious, but once you get the hang of it, you can do two, three, four, five in a row.

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So I'm going to do these two first.

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So I'm going to right click, Maxine.

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I want to grab them both without pressure on the top.

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And there we go.

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Hide those out of the way.

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Now, let's come to this part a little bit more complex.

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So I'm going to grab this one, this one, this one.

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And I'm just looking where this is.

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I going to grab it here, I think, as well.

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Right.

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Click Monck seem to come in and grab these ones now and just make sure I've got them all.

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So you.

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On the ramp and there we go.

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It doesn't matter which way they're going in the moment, as long as they're on in nice and flat and

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clean, like hide them out of the way.

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All right.

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So now let's come to this point here.

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So let's grab this one.

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I'm going to grab it anywhere in the corner here.

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I'm going to grab this one.

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This one.

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This one.

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And this one, I think that's pretty much all of them want to come in and grab them all now.

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So, Al.

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This one, I think, goes up to they're not going to you on ramp and you can see here that we do have

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a problem.

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So what you need to do is then just go in and just see where the problem is.

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So I'm going to grab this one.

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That one's fine so I can hide out of the way.

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Grew up this one.

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That one's fine.

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I can hide out of the way.

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Let's grab this one.

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That's fine.

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Hide it.

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Let's have a look at this one.

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I think actually it's this one I we grab this one.

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Yeah, this one here you can say of not receiving that.

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So Maxime Gubbay again, you on the right side.

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Out of the way.

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Now let's grab a think of Mark to see him on this envelope.

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Let's grab on here.

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Right click moxey.

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Grab it while you unwrap.

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We go hide that one out the way we're getting down then takes a little bit away.

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But by the time you finish this, I'm sure you can actually understand how seems whiplash right.

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Click Monkseaton, grab this one.

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You hide out the way.

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And let's come in now and grab this part here.

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We can see this is perfectly marked with seams on them wrapped.

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Now, let's do the inside of here and you can see the inside of here is a really actual big part.

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Now, the other thing is when you Malkin's teams try and Montalbán in places which are very difficult

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to see in case you get a close up, because you will see where actual parts of mesh joined together

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based on where the materials join.

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So for instance, on this one, AMOC and in the corner here, I don't particularly want democracy.

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I'm going along here because we'll be able to see where it actually joins.

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So let's come up a market in the corner here.

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Right.

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Click, Monkseaton, grab all of this press you unwrap and there we go.

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Let's find the other way and let's do this.

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The big part here.

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So there's a big party in a big pile here.

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So let's come in.

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Momoko, seem open that corner of that and we'll also break it up into two parts.

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So shifts like Marcosi here.

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Let's grab all of this thing.

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You on the front page right out of the way.

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And now let's come down and do these part of the wing.

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So I'm going to come in to the corner here.

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Here, here.

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Here and here, right, click Moxey, let's grab all these now.

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So you Umrah, OK, had them out the way.

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All right, so let's work on these two parts, so they're there in that same scrub them all you unwrap,

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then we go.

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Now, let's look at the parts that we've got.

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Let's let's do these wings and this little wing here.

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So I'll go to the top here.

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Malcolm, this seems like so it doesn't matter if you're not right in the corner there, if you do put

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it in that light.

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So this one will have to come round to the top.

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Right.

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Click Monkseaton, and let's grab them all.

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And it is a really good habit just to get into really taking a time when you're mocking you seems because

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you're going to save yourself so much work in the long run.

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And a lot of times I've gone in and just tried to do it really fast and I found that it just causes

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more problems in the long run.

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So it's just, like I say, to take your time.

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So I'm just going to come in what seems right click.

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Like, so high out the way.

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And the amount of time it takes just to do this part in the long run, much, much quicker just to do

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it the way I'm doing it.

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So right click.

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And to be fair, this is the most complex part to actually seem.

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So you've jumped right into the deep end to actually do this.

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All right.

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So let's move all the seams here.

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And this is also we're doing this just in case you actually want to bring in your own material and not

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actually create a procedural material so high the other way.

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Now, let's do this one.

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So we'll make it here.

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Let's go in a market on the corner here.

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So right now, you unwrap hi, by the way.

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And finally, the last part.

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Let's mock the corners of this because it's quite a big piece, so.

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Right.

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Like maxing out you on the room.

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All right.

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So that should be everything.

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So let's bring everything back.

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And you should end up with an absolute mess like this.

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Now, the best thing to do is grab everything so easy to grab everything and come over to the panel

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over here.

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So make sure your mouse is over here, eight to grab everything again.

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And then what are you going to do?

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You're going to go to where it says you've come down and you'll have one that says Parkland's click

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on another, be nice and clean in the movie map.

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And that's exactly what you want.

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OK, so now in each those needs press tab and we're going to go over to Qadim panel and then what we're

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going to do is I'm going to come down to our material, which is this one here, and I'm going to zoom

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in.

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So I'm going to press dot on the number pad just to zoom in to see what I'm looking at.

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So you can say it's also now perfectly ready for the next lesson.

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OK, everyone, so you enjoyed that.

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And I'll see you on the next one.

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Thanks a lot.

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Bye bye.