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Welcome back, everyone, to 3D modeling, The Hobbit dosing with Blend two point nine and Adobe Photoshop,

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and this is where we left off.

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Now let's go straight into all mullein top appear.

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Let's press top and now let's work on our wood.

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So what we need to do is if I press top, you'll see that we've actually got all of these actual lines

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going down and we can use these to create our wood.

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So I'm going to press top I'm just going to hide this all the way just so I've a little bit more visual

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to play around with.

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So I'm going to press click on here press tab again.

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And now let's mop some seams out straight away.

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Again, I'm thinking of how to melt the seams out.

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So it's going to save me a lot of work in the future.

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So I'm going to come round all the outside of here, including these.

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I'm going to grab it all the way up to here with control.

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Click on the right click then on Monkseaton.

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Now I need to think where the actual panels are going to be for this.

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So I think I'm going to have one here and then it's just going to be every one going across.

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And then one line to do is use these two here just as one piece of wood.

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I'm going to right click Monkseaton.

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Now, you should end up with something like this or we need to do now, it split these pieces of wood

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or someone to come to this side.

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I'm going to press Al to grab this island and I want to go to each one grubin, the island like, so

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why?

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Gee, again, just to make sure that they're all split up.

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Right.

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Click and drop it back in place.

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Now, we need to do is we need to make some edge loops going across the.

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And the reason for that is because I want to have a little bit more control of how kind of broken these

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panels are going to look or how much movement is them.

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In other words, I don't want them perfectly straight, like it's a new build kind of house or something

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like that.

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So I'm going to do that.

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I'm going to press a wand and then welcome again to our friend the basic tools that scrub the Bicego

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among many areas I'm going to cut across like.

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So I'm going to take off Arena and I'm going to start again, this one here to zero to make the line

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perfectly straight.

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Now, the one thing you need to be aware of when you do this is just make sure that you're not in on

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the corner and see it so you can see a kind of halfway in this panel here.

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All right.

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So I want to know the forecourts down here to give me more movement.

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So welcome to Michigan Bisect.

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And let's call this one somewhere around here.

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Again, same procedure playing normal, put on zero and then let's move to the next one.

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So a mesh bisect and let's call this one something round here like so.

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Zero.

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And then again, a mash by sect and one I think I want, maybe I could get away one.

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I think I'll put two, actually, so I'll put one here.

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And then come back, so a match by six on the last one, I think we'll go here like so.

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Like so.

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All right.

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So now we've got those in.

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We don't need democracy down there, of course.

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And they're still split up.

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So now we need to do is we need to grab them all.

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So, eh.

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And then I want to pull them back.

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So I'm going to press E and you'll notice that because they're all split over.

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You got all these lines, which is showing you that they're all being shown to back in the same direction.

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All right.

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So why did we do all that work?

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Well, now you'll see that what we can do is we can actually bring these in now.

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So to come again to our face like Al on each one of these now.

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And you'll notice that we're just grabbing just the from.

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So it shouldn't grab any of the tops or bombs.

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All the box press one, come up to your interlocking links, make sure you're on individual origins,

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press Senex and now you can bring them in and you can start to see them looking like wooden panels.

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Now, as I said, we don't want them all to be straight down.

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So what you can do now is you can come up to your proportional editing point, which is this bone here.

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Click on and then you notice you click the Downa, you've got smooth and you've got all these options.

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Let's put it on random.

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In fact, I'll show you what's moved us.

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So we'll come to smooth will press top.

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And what we'll do is we'll come in now.

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Let's click it on and then come over.

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And if you move it with this arrow, all press the bone.

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You'll see that you guys circle around and actually everything is affected within this circle.

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You can also make the circle smaller.

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So like so or you can make it larger.

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Now we'll show you how we can actually make these dolls look really good with very little effort.

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So let's go to editing.

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Click this down.

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Now, what we're going to do is we're going to put this on random.

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Then we're going to do is going to come in with a red arrow and say, I'm just going to move this slightly

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over, bring in my circle like so.

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And then I'm just going to go to the next one.

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To the next one.

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To the next one and then we're going to do it.

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I'm also going to move these out, so I'm going to come to this one, move it out.

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Like so.

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And what it's doing is it's randomising, which way they're all moving.

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The other thing is, well, I want to move these up so remote like so bring that in a little bit.

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Not too much.

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We don't want those too much.

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We're going to come to this one now, bring it out a little bit and you'll see now we've got a lot of

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Aryan's down here.

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And let's do the same on here, likesome.

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And there we go.

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You can see very little weg how we've actually made this doll look pretty old and weathered.

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Now, the next thing is what you need to do is you need to press one and just have a look where if you

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can see through the actual door, sometimes what it does is because it's proportional and it's in a

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will affect the back of it.

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So why tend to do now is I'll go to the back Colt's space, like grab each of these islands like so

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with the elbow and make sure proportionally that's in all press control.

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One of the parts you can go to the reverse.

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And then what you're going to do is you're going to make sure again that on individual origins as an

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axe and just bring them together and it doesn't even matter.

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Overlapping a little bit.

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So estimates bring them together.

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Just so they actually all touch him and now what you'll find is that you shouldn't be able to see through

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the backs of them because we've actually brought those together.

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If you can still see daylight, which might happen on the render, we'll just bring them closer together

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again.

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All right.

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So now we need to bring in actual wood.

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So let's come over to our materials panel, which is this bone here.

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And what we're going to do is going to click the plus one because we don't need a new material, because

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we're going to use the same word as what we've used for all stained glass window.

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Let's click the down arrow.

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Come down.

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You'll see the one we named would click on.

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You'll end up with something like this.

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Now, before we wrap this again, we need to reset the transformation so controlling all transforms

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right place of origin to geometry, press the top and grab everything we may and not press you on.

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Right.

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And you should end up with something like this.

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Of course, that would be all going the wrong way.

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All right.

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So let's go to the it's press the top one.

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And now you can see which ones are not right.

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And you can see here that some of these aren't right.

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So these ones here, the basically infinite loops, and that's not what we want.

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So what we need to do to find out why they are and the reason is because we haven't actually put any

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edges going down here with Almog seems.

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So I'm going to go quickly into modeling and that's something I should have thought about.

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I'm going to do now is I'm going to mock seams on each one of these.

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So when you come in and select and let's grab each one of these.

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And Martha seems like so, and then there won't be infinite loops now because the doll is coming to

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the stone arch, it doesn't matter too much that there is a seam here.

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And also you'll find that when you actually marking seams on wood, the edges of the wood doesn't really

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matter if it's actually got seam on them because it's obviously a corner.

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Now, if you didn't bricks or something like that, this will really.

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On something like what is a said, it's not a problem at all because most of the time the wool grain

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on the the edge going down the inside here is different from the one going this way.

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And that's why it doesn't matter so much.

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All right.

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So let's just grab all of these right seams, grab everything back into uveitis and pressure you from

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the wrap.

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And then we go, you can see now looking much, much nicer and they're all going the wrong way still.

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So let's spin them round.

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So all 90, let's spin around and evaluate what that looks like.

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And you can see now that it's looking really nice.

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And I think that the actual wool grain on here is actually how I want it.

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In other words, it's about the right size for the actual size of wood.

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Now, if I come back now to Modlin and I press, I'll take just to bring back our arch double top there.

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And you can say it's really starting to come together now, albeit we've got something a problem here

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in this glass stained glass window isn't set correctly because we can't see any light coming through

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that.

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So let's grab it and let's just set it up where it's going to go.

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And you can see that's the motion that it's no, let's turn it off and let's bring this and just sit

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on that now.

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Let's make a hole in the door.

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So while I've got this here, I'm going to shift s because it's a selected shift A I'm going to bring

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in a cylinder.

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I'm going to come down, I'm going to put this on 20.

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I don't need this on there.

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32, because I'm just basically in a hole in the door.

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So let's put this on twenty and then spin it round.

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So all X ninety one the number pad, let's make it smaller like so.

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And now we're just going to zoom in and I'm just going to make it so that the hole starts round about

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here.

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So how many do that then is going to click on mudhole.

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I'm going to come over to my modifiers.

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I modify it and this time we're going to pick a boolean.

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Now you'll notice that you've got three options.

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Just make sure it's on difference, like the pipette Komova over and click on your cylinder and you

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should be able to see something happen in there.

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Now, if you move this cylinder now, you will be able to change where about this whereabouts.

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This hole is actually cool, but we obviously don't want to do that.

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So what we can do is simply come over to our modify and apply it with control.

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And now I can delete this cylinder all the way.

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So delete cylinder and there we go.

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There is a hole already done and even the wood is looking like it's going the right way.

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Next thing you want to do now is a need to shade this door.

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So I'm going to grab the door again.

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Right.

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Click shapes move.

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Come over.

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It's a little triangle.

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Althouse, move on.

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I'm Leslie.

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Now we can see that these are very, very sharp edges and we don't particularly want neither.

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So what are we going to do is we're actually going to Beverley's now because we've got triangles in

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here.

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We can't actually use all Bevell modify it.

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Well, we could use it, but it's just actually easier to come in with each leg and just grab each of

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these edges on the front like so so I'm just going to come in grubin, each one of these.

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And if you can't grab them along here, all you need to do is just come in, grab the door, press the

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questionmark, and that's going to isolate two out and then just do it the old fashioned way.

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So you're going to grab one wave shift click like.

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So I want to just want to make sure that I'm just not going around the back of it or anything like that.

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So I do just literally one Josia from.

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Of these actual piece of wood grubin, so I want to shift and click and just save and grab the rest

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of these like so.

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Like, so now let's do this one, so zoom out, make sure we've got them all on.

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There we go.

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Think of Gromo.

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I'm not going to worry about these ones ever in the actual arch anyway.

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And then I'm going to zoom in a little bit.

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I want to press control.

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B, I'm going to pull them out.

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Very slightly presentable, and you'll see now that Romney's really, really makes a difference in how

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this door actually looks, really adds and sells more real estate.

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Now, you can see over here that these pieces of what he probably touching a little bit too much.

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So I'm actually going to go in, grab two of these and just pull them back just a little bit.

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Let's have a look.

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I think they're actually going the wrong way.

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We do seem to have a problem there, and it's because I have got the right one.

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So it's this one here.

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Let's grab this one and this one on the inside.

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Let's pull them back a little bit, pull it out, get a little bit better.

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Scrub this one as well.

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And you can see the problem I'm having is I need to grab both of these.

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So if I come in, grab the two on the inside, on the outside now, I should be able to sort of pull

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it over, still having some problems with it.

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And what I've done is I've grabbed the other side now, so I'm just going to press control that and

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just move it back in fully like.

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So now I'm going to grab this one and this one and just basically restart it, just making sure I've

228
00:13:19,480 --> 00:13:20,420
got the right ones.

229
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Pull it now and again.

230
00:13:22,030 --> 00:13:25,750
You can say, got a little, but I'm going to grab it with Bassler.

231
00:13:25,780 --> 00:13:30,280
That's going to be easier and grab just the inside that and now can say, there we go.

232
00:13:30,280 --> 00:13:31,810
That's so much easier to do it that way.

233
00:13:31,810 --> 00:13:33,010
So we'll do it that way instead.

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00:13:33,040 --> 00:13:38,530
So grab it, pull it just a little bit, press the tailbone, let's grab a little bit more.

235
00:13:38,590 --> 00:13:41,620
And I can also think if I just grab this pole here.

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00:13:42,620 --> 00:13:44,000
With I select.

237
00:13:44,980 --> 00:13:46,630
Like, so just pull it across.

238
00:13:47,110 --> 00:13:47,650
There we go.

239
00:13:47,920 --> 00:13:49,150
All right, so there we go.

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Finally, we got that.

241
00:13:50,500 --> 00:13:53,460
OK, so let's press the question mark and bring them back.

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Double tap the I and there we go.

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00:13:55,630 --> 00:13:55,920
All right.

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00:13:55,930 --> 00:13:57,170
That's looking really, really nice.

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So on the next one, what we need to do is we need to actually work on steps going down.

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00:14:02,320 --> 00:14:05,960
And then finally, what we'll do is we'll work on our actual hinges.

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OK, once I hope you enjoyed that.

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And I'll see you on the next one.

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Thanks a lot.

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00:14:09,820 --> 00:14:10,240
Bye bye.