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Welcome back, everyone, to 3D modeling the Hobbit doll scene with Blended two point nine and Adobe

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Photoshop.

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Now this way we left off.

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What we need to do now is make a start on all grass.

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So grass actually isn't that hard if you know what you're doing.

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So let's make a start on it.

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What we'll do first of all, we'll bring in a UV sphere one minute actually do is just to reset to accommodate

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a file, come to actual save in the go file again, open recent Hobbit doll, reopen it.

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What that means is then when I bring in a UV space ship, they mesh down to this.

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You'll see that these have been reset, in other words, and on 12 and 12, like we had for the bolts.

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And that's exactly the one.

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So I'm going to do now I'm going to move this across over here.

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And this is going to be the basis from actual lacross.

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I want to press top then when it comes to proportional editing, and then I'm just going to grab this

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and just pull them over.

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So make my circle bigger like so and don't be afraid to mess around and really pull that mesh out.

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This is going to be your grass and we're going to mesh this as well.

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The very easy technique to do that.

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We just want to make sure that we don't bend it too much so it doesn't end up like he can see here.

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It's a little bit broken.

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That's not actually what we want.

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So I'm just going to go back and just make sure that I'm not breaking it that much.

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So I'm going to make perhaps this a little bit bigger like.

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So let's bring it out.

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Like so.

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Like so.

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And also, we're going to displace this as well.

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Which will make it, again, a little bit easier.

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All right, so I think let's have a look.

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I think I'm happy with that for now.

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Again, we're about to change this once we've actually reimagined it as well.

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The one thing I think I'm just not sure with is this a little bit too close to the actual steps.

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So let's bring it out, something like that.

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Let's bring this just down just to make it a little bit flat.

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Press three on the number pad.

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I'm just looking at where it comes out.

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So obviously, you not going to see the ball anyway.

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So I think that should be absolutely fine.

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Now, let's bring in another sphere.

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So shift a UV sphere.

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Let's move it across to this side.

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I think actually bear splitting it from this one so that when I use a portion that it's in, well,

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a different techniques.

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Let's bring it down to friends, place personal and it's known and just click connected only.

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And then I'm not going to interact with this one at the same time.

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So now let's start squishing this one round as well as play out a little bit so they all pull it out.

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That's where it's going to go and bend in a little bit.

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So and then I just want to make sure this Spetz.

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Housefly know a little bit like Mount.

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All right, so that's OK, that should be a good start.

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Now, what we need to do is we need to press top.

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Let's come over now to our little triangle and what you'll say is one that's called a rematch.

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Click the open.

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What are you going to do is you're going to click on Quad's, click on Quadri Flow, Ramesh Cherno,

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use paint symmetry and let's put it on something like two thousand.

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We don't want to that high.

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So two thousand should be absolutely fine.

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And they said this is a number of faces that you're going to end up with when you've actually rematch

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this next thing.

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Well, once the results come in, I want to click, OK, now it's going to think about who's going to

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take a little bit of time and now it's finished.

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If I press top, you can see now we've got a really, really nice base to actually work with.

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And this is the point where you want to be pulling these bits out that you have to wave.

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So like here, for instance, a press G to just pull it out just so.

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It's in front of that door and you love the grass growing up.

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I'm not saying that one.

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And again, with this one, I'm just refining it now, as you can see.

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Pull it out here.

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And again, we can pull this out to his heart's desire once we've actually got all grass in place now

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we've got two things left to do.

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So the first is we need to unwrap it.

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So I'm going to grab them both.

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I want to press you and this time I'm going to press smart.

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You've project.

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And the reason for that is when you use this, it actually splits of the mesh and breaks it up for you.

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So if I click the song, click, OK, come over to you.

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The editing, you'll see now that we've unwrapped it and it's basically broken the mole press dot on

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the number pad to go to it.

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Can't find it.

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Press the questionmark and there we go.

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So what it's done in this space and not to Malcolm, he seems very far away, are actually on wrapping

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it, but it does break you up and it should only be used in circumstances like this.

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It shouldn't be used all the time.

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Now, all I want to do is want to grab them.

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I want to really bring them out without proportion, let it's in on because I know how my grass is going

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to fit this.

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So there we go.

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Now let's bring in the material.

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So plus new let's call it Gruss.

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Let's come over now to Qadim panel.

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And all I want to do is bring in one actual gross material.

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So I think of a press control shifty and I'll go to my texture's you'll see one that says grass bring

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in and sometimes it won't bring in light says no matching images found.

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And that is basically because that grass hasn't got a name on the end of it, same colour.

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So they shouldn't know if it says colour on the N, normal on the end, ambient occlusion on the end,

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blender will pick you up.

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So that's a good tip in case you can't actually bring in an actual texture.

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So we'll do now is we'll go to the file and we'll bring in the old fashioned way.

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So here is all grass.

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So I'm going to do is I'm basically going to just left click drag and just drop it in place and they'll

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say actually drops in now.

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Now all I need to do is just pull the colour over and drop it into the base colour of the actual grass.

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Now, let's go back to our modelling.

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I don't need to mess around with anything else on here.

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So back to Modlin.

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Press the top on top the.

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And then you go, you can see our grass is looking really, really nice.

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And the thing is why it doesn't really matter about this being home wrapped or anything like that.

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As you'll see when I actually bring in the grass, the grass colors and things like just based on the

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colors of your textures.

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So the one thing I want to do is just shade it so smooth, so smooth, and you'll see like the little

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white bits in here, the little dark bits in here will actually come through on to the actual grass

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when we use the political system.

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But before that happens, we need to make this grass mounts a little bit lumpy.

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So let's come over to SPONER modifiers again and modify it.

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And this time we're going to bring into this place, you know, just get really far column down now

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to the actual texture.

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And basically you're deciding now what actual kind of noise texture you're going to put on this.

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So let's come to new click on that click down.

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And the one we are going to pick is going to be clouds.

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So let's pick clouds and you can see already looking really funky.

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Now let's come in and basically mess around with this here.

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So what we need to do is you need to turn this and I'm going to print one point eighty six.

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And now you can say that we've got some real lumpiness for grass really, really easily, perhaps a

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little bit too lumpy.

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So we need to do now is come over back to our spine and now we can mess around with the displacement.

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So I'm going to do is I'm going to send the strength down to nought point four to zero.

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And I can say it's still lumpy, but it's a lot smoother, like grass mounds would actually be.

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And I'm going to put this on nought point one to two and there we go.

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All right.

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So I'm really happy with that.

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So this is going to be a short lesson, because on the next lesson, I want to actually start bringing

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in the actual political systems and our graphs.

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So I hope you enjoyed that.

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And I'm sure you can enjoy the next lesson, say, on the next one, everyone.

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Thanks, Lullabye.