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Welcome back, everyone, to 3D modeling The Hobbit doll scene with Blender two point nine and Adobe

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Photoshop.

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Now, let's go back to modeling and what we'll do is we'll press question mark, bring everything back

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double top.

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The one thing I think I'll do with this is I just going to Bevell off these edges.

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I don't like sharp edges like that.

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They don't look realistic.

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So I'm press control B once I've got them all like so and now that looks much, much better to me.

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All right.

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Now let's come back to our cycles, Renda.

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And what we're going to do now is actually look at our actual brightness.

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Let's come over to our will.

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And then what we'll do is we'll just turn and let's try two point five.

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We'll go way, way over the top.

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So let's turn let it think about it.

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And that might be just enough that we could also come down and turn on some so we can grab some is in

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the right direction.

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Let's point to a little bit.

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So if you press all y and let's point to oh, now if you're struggling, as I say, come over to your

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little computer here, put it on eBay and just remember that what you're looking for when you do this

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is now you're looking for the shadows.

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So now you can see I can actually move the up and get some really, really nice shadow on that light.

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So I think actually that's looking much, much nicer like that.

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All right.

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Let's put it back on cycle's.

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And let's do another random quick render.

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I'm going to put it actually on 50 and then I'm going to come and put this on texture and I'm going

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to render render image.

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And again, we'll talk about this when it's actually done.

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OK, and there we go.

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So I think I'm up with the shuttle now, I'm certainly happy with the grass and think I'm happy with

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how dark everything is on here.

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Maybe this, but I think it's basically depicted by the light actually coming behind it.

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So now what we're going to do is hide this part of it and then do another quick render.

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So let's press escape.

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Let's come over to our little computer, come down to where he sees film.

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And then what you can do is you can actually make the background transparent.

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So click that on Transparent.

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And now let's have another go render so render rather quickly because we're on actually 50 samples.

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And then let's see what it looks like without actually dot behind it.

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We're not going to use that anyway.

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You still going to get the brightness and things like that.

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But we just need that gun because we're actually going to bring in our own actual landscape behind this.

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And you can see now it's much, much darker bringing our own landscape behind this, using Photoshop.

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So let's have a look.

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And see what this is going to look like.

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Let's zoom out a little bit and don't forget as well that one of the great thing is we can actually

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alter the colors and things like that in actual Photoshop.

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So I think now I'm actually really happy with how that looks.

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And all I need to do now is turn up the samples and give this a final render.

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So we'll come now, press escape, come up and put this on.

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I would say between two and five thousand samples.

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She'll be absolutely fine.

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So I'm going to put this on the two thousand samples.

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I want to keep it relatively low.

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You don't need that high because you are using Diana Nisan as well.

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So if you put it on two thousand, it should take between, let's say, between 10 minutes and an hour,

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something like that to render out.

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So just get the best render that you possibly can.

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Now, let's come up to the Renda.

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And what I'm going to do is I want a speedy opens of doneness and then we're going to take it through

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to Photoshop.

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So Arenda render image.

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Let me think about it, let it load up and you can see it's much, much slower and I'll see you when

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the system.

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OK, so there's my finished render now I'm going to step in when it comes to image, say that I want

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to put the compression up to 100.

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That means that we don't get any loss in the actual image and to put the call it up to 16 and I'm basically

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going to save it out.

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So I'm going to save it.

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And went to make a new folder I want to call it renders just in case.

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I want to render this out again.

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So renders.

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Double click it nonlocal, I'll call this final four bit door random like so enter, enter again.

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And now when this is saved out, you can actually close this down.

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And there we go.

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So now let's head on over to Photoshop for the next lesson and we'll look at to turn this into a really,

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really nice render, complete with the background.

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OK, everyone, so hope you enjoyed the final say on the next one.

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Thanks a lot.

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Bye bye.